This work is part of an ongoing investigation into the diagram as a pictorial device in painting.

The process of making involves working with paint horizontally on a flat surface. Acrylic paint is trapped between layers of transparent film to build the image. Acrylic paint in liquid form is isolated from both air and subsequent layers of working, only at times penetrating the layers of membrane and bleeding out into one another. The isolated layers of transparent and opaque pigment create an illusion of the paintings ‘thickness’.

In material, the paint’s liquidity is suspended, unable to harden due to its lack of exposure to air. The work is in flux long after the layering process is completed. Its horizontal address of working is unable to be shifted to the vertical address of the wall for viewing without intervention.

Digitisation of the image through photography and it’s reproduction through pigment printing allow this vertical axial shift to occur. The resulting illusion of liquidity in the reproduction indexes the horizontal address of making.

The work questions the convention of a printed image (of a painting) as a reproduction. Perhaps the work could be described as a painting for print.

For more information

‘Fly the Flag for Gender Equality’ is GirlGuiding New Zealand’s initiative offering a platform for all youth, of any gender, to participate in a social discussion around what gender equality means to them.

For this project, youth around New Zealand have designed flags using words, symbols, and pictures to express their views on any aspect of gender equality. These powerful installations are available for public viewing across the country. In the Wellington region they can be viewed at Petone Settlers Museum, Wellington Museum, Lightbox at Thistle Hall and Wellington Central Library. Visit www.girlguidingnz.org.nz/flytheflag for more information.

Kia ora koutou

Do a drive, walk, cycle by our Kia Ora sign in the Lightbox (Arthur St side of the building) to celebrate Māori Language Week. There are heaps of events and resources available.

Events & Resources:

Te Wiki O Te Reo Māori (Māori)

Māori Language Week (English)

Te reo Māori pukapuka mahi (Te reo Māori activity book)

Artist: Kelly Spencer

My name is Anna Lundh, I am a Wellington-based artist & teacher.

In painting, a single brush-stroke can direct an audience through a work, and I believe print-making is no different. I seek to express movement and rhythm through my mark making and carving techniques and emphasizing the contrast between carved and bare wood through targeted ink application.

When I create new works I will often seek inspiration from structures found in nature. In my practice it is important that I capture ‘the essence’ of a structure or landscape, and through a wide variety of foundational resources (drawing and photography) I can abstract the core feeling of these natural forms in my art.

I have a range of works available for viewing on my website: https://www.annalundh.net

Questions, comments, and sale inquiries are welcome through my contact section!

My work is an exploration of materials. Discovering how far a medium can go is inspiring in itself, as it’s possible to discover how far I can go with each piece. I like to create work that isn’t always clearly one thing or another. I have always found it interesting to create forms that cause the viewer to ask how it was achieved.

I am primarily inspired by everyday things outside, such as an eroded river bank or the movement of water receding after a downpour. I currently bring these inspirations into my work using the ‘Lost Wax’ casting method. My work often starts as an experiment in wax to bring movement to life. I create abstract forms by rapidly cooling wax in water or by melting it down with various tools. Pieces can then be cast in different mediums which each have their own characteristics and qualities.

https://www.annastaceyartist.com/gallery

Kurk Harrick is a young Wellington artist. 

My artwork is a display of my entries for the 2016 edition of the NZ-originated 100 Days Project.

That Bloody Flag explores a crisis of ambiguous cultural identity brought about by recent world events. Lorraine Tyler spent her teen years in the US during the George W. Bush era and rejected the idea of becoming American. But since her return to New Zealand in 2007, she's become more deeply curious about the gifts and curses those years bestowed upon her. Stylistically, this artwork represents a reconciliation between Lorraine's old loves of portraiture, words and symbolism, and her recent development of mega-doodle compositions on paper.   

Mixed media on wood

Wellington based artist Erin Carver has been developing a new body of work as part of her Honours Diploma of Art and Creativity at The Learning Connexion. Recognisable for being full of bold, bright colour, Erin’s works often use symbolic imagery to represent some of the fundamental parts of the human experience. The lotus flower has been a reoccurring theme in both her recent paintings and printmaking – symbolising the brightness of potential, rising above the darkness of doubt.

A finalist in the 2016 Muriel Hopper Hutt Art Awards, Erin works from her Upper Hutt home studio where she enjoys exploring printmaking and mixed media, as well as her love of painting.

To find out more please visit her website: www.erincarver.com Or Facebook: www.facebook/erincarverartist

Contact Erin: 021 238 4839

erinviviennecarver@gmail.com

Wellington based artist Don Smiths new work questions traditional methods & materials used in ART? making practice by using found materials (plastic, recycled plastic, perspex) silver tape & mixed media paint techniques. While the work appears seemingly lacking in thematic cohesion Smith simply describes it as a "rolling silver dream that culminates into mere decoration or display".

Employing nondescript one word titles the viewer is challenged into finding an explanation of / for the work and left to use only sight / imagination as their guides.

Feel free to make a bid by private msg thru my Facebook page:
www.facebook.com/diskodo

Email :
donsmith58@gmail.com

More work can be viewed on :
https://www.tumblr.com/blog/diskodon3

Fragrant Matters (Clean) | Lee Jensen April 6 ? 30 There are more and more fragrances released every year ? 1600 in 2014 alone ? and even then perfume is only a small part of the $28.95 billion dollar global fragrance industry1. We live in a perfumed world, but our sense of smell still lives on borrowed descriptions and metaphors. Because we can?t see smell, in my work the fragrant object becomes crucial.

This series of photographs continues from my recent exhibition, Soliflore, at T?i Poneke, working with fragrant cut flowers but also material associated with the norms of personal hygiene and household cleanliness: body wash, soap, cleaning products. 

I am a Wellington based artist and designer with a Bachelor of Design from Victoria University and a Masters of Fine Arts from Massey University. Previous exhibitions include Red Ring as part of Satellite 06, in Shanghai, 2006; Five Treasures with Kate Woods, at Michael Hirschfeld Gallery, 2006; l?abbondanza della strada at T?i Poneke in 2012, and Soliflore at T?i Poneke in 2012.

I lecture in the School of Design and School of Art at the College of Creative Arts, Massey University. 

Contact:
021 253 7828
l.e.jensen@massey.ac.nz
www.leejensen.nz 

1. Source:
http://www.statisticbrain.com/perfume-industry-statistics/